I wonder about Measures 9 + 10 as well due to the somewhat strange fingering required and the dissonant quality of this chord progression, but I guess it is correct nevertheless. It works better fingering-wise and continuing the repeated form for the 3rd measure in this place seems like what V-L would have done, it sounds absolutely fine to my ears, too. You see, I think that the chord pattern that involves 3 measures (Measures 11-13) in the "Piu mosso" section should most likely be repeated in the last measure, Measure 13 and end up in basically an A minor configuration rather than A major as it published. I will contact them and give it a try, but from what you say I sort of doubt that even if I managed to get "a copy of this copy of the original MS." it will be totally reliable.
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